UM FESTIVAL

JAYGO BLOOM invited to present work at Dublins UM FESTIVAL of experiment intermedia.
A 24 hour action packed event bringing together international artists and practitioners to discuss debate, present and perform around the subject of desire within the digital world.
Hosted within the shabby but chic BLOCK T an alternative arts venue and curated by Teresa Dillon of
POLAR PRODUCE.

Screen shot 2011-08-13 at 12.45.13 PM

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FESTIVAL OF BRITAIN

THE FESTIVAL OF BRITAIN Celebrations (1951 - 2011) along the SOUTHBANK and within numerous venues around the Royal Festival Hall. In partnership with YEASTCULTURE. NEWFUTURENOW has received a moving image commission to celebrate the Festivals 60th anniversary. The work has been created for a 45ft wide led screen and is situated on the exterior wall outside the Hayward Gallery. The commission is the result of a period of development and research, exploring the archived footage made available at the British Film Institute.

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PEACHES

NEWFUTURENOW assisting the London based direction / production duo NICE & POLITE Steve Agnew and Andy Knowles to create a video promo for the new PEACHES launch.
‘Turn it on’ is a cover of the Franz Ferdinand track of the same name, slowed down and slurred up like only Peaches can.
NEWFUTURENOW responsible for all video mapping and realtime graphic processes, alongside the excellent D.O.P JACK WILKINSON

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TIMEWARP

TIME WARP in Mannheim, first live performance of 2011 for PLANETARY ASSAULT SYSTEMS. Video mapped projections onto a massive cluster of thirteen cubes spanning the entire stage.

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ICARUS PERFORMANCE

ICARUS - The final result of a year long Southbank education program. Thanks to Scientist JULIA and Musician FRASER and the three schools involved, Here is an edit from the final audiovisual performance, presented at the Royal Festival Halls.


NEWFUTURENOW also designed an extensive educational package, following the events of the program, which is now being disseminated on Flashdrives to schools around the UK and its sister project at schools in New York.
Anyone interested in receiving this educational / teachers resource drop an email to
NFN.



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BERNADINI

A drawing paper is simply paper as long as it is white, but once you draw on it, it becomes “a drawing”.
A design in light is a mental drawing that uses a dark space, as a kind of dark paper on which it forms in negative.
An optical fibre drawing in space can be in harmony with the place itself, but the light can also create an interrelation by overcoming the physical walls and transforming the environment in a deceptive way.
An installation, in fact, has the power to take the space and push it to the limit of an illusionary dimension, the one dictated by the original idea.
A chance to met up with fellow light engineer Carlo Bernadini as he visits to attend the Kinetica Festivsal. It is rare to have Carlos work here on show in the UK and an encounter I always welcome.

bernardini




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BOX CODAX PROMO VIDEO

A recent promo video created for Nick Mcarthy of Franz Ferdinand side project BOX CODAX.
Look out for their new album in record shops soon.
Directed by
NEWFUTURENOW with heaps of assistance from the wonderful and very professional Anna Druka of TRIXTONVALLEY.

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MAJOR HAVOC

Original sound loop taken from the classic arcade games Major Havoc, Archon and Space Fury.
This vocal revision by the Voicelab Orchestra and Jaygo Bloom.
Presented as an interactive artgame in the show 'Arcade'.
Public interaction altered the beat loops, time signature and cue points from on a custom made game controller.

















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TIMES 2 TO MAKE MY LIFE EASIER

I am late in presenting these two new fantastic development in the areas of live visual effects processing but anyway here goes . . Syphon And Kinect










SYPHON


Today each visual app or VJ app is a closed system. You create your graphics and it is then sent to your output.
The output of the app is locked. It cannot be altered after it leaves the app.

Imagine if you had two apps each producing a live stream of realtime graphics on the one computer.
Up until now there has been no good way to combine the outputs of those two apps into one image stream in real time. If you wanted to create a background in Resolume and a generative particle effect in Processing, you would have to save one of them as a file and then import this saved movie into the other app, or you would have to use a screen grabber to catch the image from one app and put it into the other in real time. All this uses a lot of process power on your computer and tends to slow down the performance of the apps, due to the need of two apps open at one.

Syphon runs in the background, it allows you to work in two video software environments simultaneously, yet without the need to have both platforms open at the same time. It works as a bridge between any video processing environment and allows applications to ‘talk to each other’ and exchange graphics in real time without any delay or loss of image quality.


KINECT

Kinect hacking, worldwide, continues unabated, taking the gamers tool from proof-of-concept depth tests to something that could actually prove the basis of real media. The killer app, it seems, will be interactive art, as Kinect’s ability to interact with someone in space is ideal for the kinds of interactions designers need – perhaps, ironically, more so than in games.

Most promising of all, Robert Praxmarer writes to share his team’s work on skeletal tracking, top. This is really the magic of Kinect: beyond just tracking depth, once you have a notion of a human skeleton, you can really begin to interact with movement, opening up seriously powerful possibilities for spatial interaction and dance. Robert comes from a “newly-formed research new media lab in Austria called CADET – Center for Advances in Digital Entertainment Technologies.”

Game design with something like Kinect is no small challenge, which is why the launch lineup on the Xbox itself – with the possible exception of Harmonix’s dance game, Dance Central – has been deemed disappointing by many early adopters and critics. To really explore the medium’s possibilities, it may be absolutely essential to get independent designers working on the problem, freed from the pressures of the commercial game development pipeline. Accordingly, the Austrian team isn’t just doing interesting analyses. They’re putting that work to the test with an open-source Kinect game that uses generative realtime graphics and a rich musical soundtrack.





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ARCADE WALKTHROUGH

Video documentation of my recent show is now online











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PATRICA FLEMING PROJECTS

Talks are under way with Curator PATRICIA FLEMING, towards the development of a temporary multi channel, video projection artwork. This new work will be initially designed to fit within the centre space of the BRIGGAIT Glasgow and presented to be ready for audience to coincide with the first year threshold of the building as a new thriving cultural hub in July 2011.

Preliminary sketches including proposed projected objects within space -









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BESIDE THE SCREEN



BESIDE THE SCREEN is hosted by Goldsmiths and the Thursday club ( Check out their CALENDAR for gigs ) and this week features artists involved with realtime visual practice and Vjaying as research for Phd. Speakers include Ana Carvalho, Dominik Hasler Patricia Moran and Toby Harris. A PDF that accompanies the event is available to download HERE






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GAS TOKYO

GAS AS INTERFACE is an independant collective of creators and designers regularly publishing zines and dvds internationally referanceing audio visual and graphical streams of practice. Aside from the more commercial works supported by the shift japan. GAS also run a gallery space in Minato-Ku called
CALM & PUNK
A visit to their studios found the crew working hard on a recent new exhibition of artworks from the London based artist . . Their Direcotor Riza Nakazawa gave me a really good welcome.

I presented my new works and we talked of possible collaborations that could happen in the future.
A really good collective doing so much wonderful stuff outside of government funding, proving it possible inna 2011. .








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FLEA MAISON

Flea Maison was an impossible place to find. An independent gallery set up by the international media curator YUKIKO SHIKATA and YOKOTA TAKAO in Tabata.




Yukiko Shikata is an independent curator & critic based in Tokyo, she is working as an associate curator of Mori Art Museum (MAM), guest curator of Shiseido CyGnet and specially-assigned professor at Tokyo Zokei University. Her works include projects at Canon ARTLAB, Mischa Kuball "Power of Codes - Space for Speech"(Tokyo National Museum, 1999), "art.bit collection"(NTT ICC, curatorial support, 2002), "Kingdom of Piracy" and "OPEN MIND" CD (MAM, 2002). She is curatorial committee member of eyebeam (NY) and international advisory board member of Transmediale (Berlin). Her curatorial practice has recently been presented in an online interview available on the network of media arts site CRUMB - This was conducted by Sarah E Cook whom I recently met at my show in Dundee, whilst attending the MAPPING THE FUTURE Conference.






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TRIPPLE G ARTS CHIYODA

Another decisive move towards a future Tokyo / Jaygo Bloom audience encounter. This time a meeting with the Arts complex 3331 Arts Chiyoda and GALLERY g3.

g³/ gallery is a project room combining an editorial school “Super School”, “Gallery” and editing studio, “Edit Room”. This facility is based upon the vision and skill of its director
SHIGEO GOTO in the investigation of the potentials of editorial activity and will expand the work of “Super School”, which has been established for 14 years.



‘ It is our aim to amplify the transformation of foreign elements and to visualize this in response to the theme of “Tokyo”, a city which connects both the local and the global, presenting the here but not here, the not here but here’Shigeo Goto
The gallery Director is Shigeo Goto who runs the education program - A meeting with the gallery member Naoko Hatta proved really useful, the works on show where by the artist Takaaki Akaishi






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CENTER FOR INTERCOMMUNICATION

A recent encounter with MINORU HATANAKA, curator of a fantastic show and the ‘ Open Space 2010’ currently underway at the CENTRE FOR INTERCOMMUNICATION in TOKYO.
Listen up Britain!
Open Space includes a gallery, a library, a mini-theater, and a lounge. All are open to the public, free of charge, throughout the year. In line with the philosophy behind all ICC activities, we not only offer exhibitions that introduce ever more people to leading-edge artistic expression and the possibilities of a communication-rich culture, but also make available a wide variety of materials from past activities, including a video archive. A new "Kids' Lounge" for children has also been created, adding to the exhibits of media art works by prominent Japanese and overseas artists that explain in an easy-to-understand manner the relationship between "media technology and artistic culture," as well as a corner introducing emerging artists.

Minoru Hatanaka has been involved with the curation of Japanese Media Arts since its early beginnings, he has also developed a long standing position as one of Tokyos eminent electro acoustic performers.
The space he is now in charge of is very impressive as is the work shown. I managed to catch a mesmerising collection of
KOSHIDA NAORIKO’S Video Works.


"The Story About the Crack in Reality" 2008 "Something in the Spiral World" 2009

I also had the opportunity of presenting Minhoru with a DVD of my current work.






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TOKYO PAS







We are in Tokyo for Five nights, performing at the grand club AGEHA on the outskirts of the city.

We have been put up in a really nice hotel on the 16th floor in the centre of Shibuya; Youth Culture Central, overlooking the magestic crossroads made famous by documentary filmers the world over including Wim Wenders. I have never seen a city that is brighter at night than it is by day. This must surely affect your midset if prolonged for any long duration of time? The nightclub hosts the best looking soundsystem I have ever seen and also has an outdoor pool, the drinks are gratis, the people are kind and we have been living on four hours a night sleep like the rest of them over here, and it all seems really really natural.













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ROTTERDAM PAS

PLANETARY ASSAULT SYSTEM Live at Concept, Ahoy Rotterdam! The home of HardCore Gabba and another banging AV performance for Luke and me, and boy! this crowd was hard!







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ARCADE - THE SHOW

Images from my recent show, open to the public until November 14 2010.





















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GEORGE BARBER

George Barber is the other artist I am exhibiting alongside at the DCA. He is more commonly regarded as a British Scratch Video artist, and his early works demonstrate his cut and paste skills in fusing dance music and appropriated TV footage to great skill. It is however his more experimental works which I am drawn to, early processing hardware and suitiably punk / glitch before digital aesthetics, enable George to present abstract works again fused with sound, capable of twisting the medium of video as it appears pliable like paint on the screen.





George currently teaches at the School of Creative Arts in London and is involved with the video organisation LUX.





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HOMAGE TO A HOMAGE



HOMAGE TO A HOMAGE
Looped video monitor. Scale 1:10. 480X480
2010


Throughout the 1950s Josef Albers had created the works in his Homage to the Square series in sizes ranging from 16 x 16 inches to 40 x 40 inches. When asked by a leading critic on a visit to his Connecticut studio - ‘Professor Albers, in 1962 you suddenly began to work in the size of 48 x 48, and I wondered if this was your reaction as a European to the vaster scale of life in America or in fact to the American attempt to conquer space and reach larger dimensions?’ Albers looked at him and said ‘young man that was the year we got a bigger station wagon.’





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MAJOR HAVOC





MAJOR HAVOC
Interactive Installation
2010

A High Culture / Popular Culture mash up
Repetition as a technique becomes another means by which to deconstruct the work Major Havoc, as users have the opportunity to break up the narrative structure of 3 early arcade game sounds - Archon 1983, Space Fury 1981 and Major Havoc 1983

Fixed controls within a custom made interface allows for interaction of tracks, cue points and beat signatures.
It is believed that loop usage is closely linked to our use of short time memory. Our experience of the presence lasts about three to five seconds,
from this one can draw the conclusion that interacting with loops transfers us into a state of eternal presence, of a now contradicting the continuous flow of time.


Funded by the PAUL HAMLYN foundation. Jaygo Bloom in collaboration with vocalists from the VOICELAB orchestra.
MAJOR HAVOC exchanges 8bit sounds from classic arcade games with 24bit tenor, alto, soprano and bass vocals, and combines these with the original version ready for realtime beat chopping and cue looping via games controller.




Listen to the game sounds HERE



++ARCHON / RIGHT CLICK SAVE TO DESKTOP




++SPACE FURY/ RIGHT CLICK SAVE TO DESKTOP




++MAJOR HAVOC / RIGHT CLICK SAVE TO DESKTOP








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PACMAN OUROBOROS



PACMAN OUROBOROS
Looped video projection
2010


‘Video games are the first stage in a plan for machines to help the human race, the only plan that offers a future for intelligence. For the moment, the insufferable philosophy of our time is contained in the Pac-Man, perhaps because he is the most graphic metaphor of Man's Fate. He puts into true perspective the balance of power between the individual and the environment, and he tells us soberly that though there may be honor in carrying out the greatest number of victorious attacks, it always comes a cropper.’

- Chris Marker, 'Sunless'

Truncated, repetitive, coin-operated nihilism. We were told that play would desensitise, depoliticise and disconnect us, and now games are presented by the museum as the latest historical and contemporary cultural artefacts. The time has come for arts institutions to intervene; playtime is over.





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SPACE IBIZA

JAYGO BLOOM has been working on a new VJ set for PLANETARY ASSAULT SYSTEMS
to be showcased this weekend at the legendary SPACE nightclub. Ibiza!

VIP tickets for any newfuturenow fans . . .

BOX CODAX

A preview of the new promo video wirtten / directed and produced by JAYGO BLOOM for BOX CODAX -
Art / Rock / Dance project of Franz Ferdinand fame Nick McCarthy
and fantastically talented artist MANUELA GERNEDEL

View the Box Codax Odyssey / Golden Voyage right NOW!





Bely Dancer - MIchelle Iona Morley
Salsa Dancers -
ELEMENT DANCE
Hoopist - Lisa Angel Celea

Cast -

Morgan Delle Piane
Ishaan Chaudhury
Luke Rainey
Hilten Mistry
Samuel E






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YO MAMA





The latest promo video DIrected and Produced by NEWFUTURENOW for Berlin based YO MAMA









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FUTURESHOCK

VJ mixes created by the participants of the FUTURESHOCK / JAYGO BLOOM facilitated VJ workshop.
All works will be showcased live at the BFI. Southbank on Saturday May 1st 2010.













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ATOMIC JAM

NEWFUTURENOW providing visuals for PLANETARY ASSAULT SYSTEMS
Live at the legendary ATOMIC JAM Birmingham









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KLUBBERS

NEWFUTURENOW providing visuals for PLANETARY ASSAULT SYSTEMS
To a crowd of 6000 Live at the KLUBBERS FESTIVAL Madrid








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BLOC WEEKENDER

HAPPY CAMPERS!
NEWFUTURENOW providing visuals for PLANETARY ASSAULT SYSTEMS
Live at the BLOC WEEKENDER.. Shacked up in the infamous Butlins Holiday park. Bognor Regis style . .










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LIGHTSPEED CHAMPION



LIGHTSPEED CHAMPION takes time out of his UK tour dates to record a session at the NEWFUTURENOW studios.
Tracks taken from his new album 'Life is Sweet! Nice to Meet You'.





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PLANETARY ASSAULT SYSTEMS



NEWFUTURENOW move forward into 2010 with a brand new collaboration providing visuals alongside
Techno Artist LUKE SLATER for PLANETARY ASSAULT SYSTEMS.

Catch the first gig Live at Doornroosje. AMSTERDAM





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CANT STOP FEELING REMIX



A
NEWFUTURENOW remix of the Cant Stop Feeling Video For the FRANZ FERDINAND Fantasy World Tour.




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MEMORY TAPES



NEWFUTURENOW has recently pitched a music video treatment
towards the latest MEMORY TAPES track.

You can take a look at the treatment HERE




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FRIGHT NIGHT KOMPAKT RECORDS



JAYGO BLOOM performed an exclusive live Visual set for KOMPAKT RECORDS
and as ever in keeping with the Halloween Festivities provided a Frightening GlitchCore analogue AV set
inspired by the sounds of Kompakt act GATEKEEPER

You can grab this AV video mix here right NOW






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WILD BEASTS TREATMENT





DOMINO Records has asked NEWFUTURENOW to pitch a treatment
towards the latest WILD BEASTS track.

You can take a look at the treatment I wrote right HERE




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FRANZ BRIXTON ACADEMY

Another NEWFUTURENOW / FRANZ FERDINAND World Exclusive!!

Projection Mapping and full Moon branding for their latest UK gig, live at the Brixton Academy. London.
Created and produced by JAYGO BLOOM

Video available to view HERE

Images of the 30Ft wide Projection mapped Hexagram



Enjoy the screen grabs in glorious J-COLOR






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BBC ELECTRIC PROMS



NEWFUTURENOW Have been Shortlisted By the ELECTRIC PROMS for a BBC New Music Short Award.
This is for our treatment towards METRONOMY’s ‘On Dancefloors’ Track.
You can take a look at the treatment HERE
And a sneak preview of the pre treatment moodvideo right NOW.






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FRANZ DRUM TRIGGER

Performance Images from the NEWFUTURENOW / FRANZ FERDINAND Drum responsive visuals.
Incorporating physical triggers onto the Franz Ferdinand Kick Drum, which with each beat syncopate
visuals of up and close eyeballs. NFN Utilising ISADORA physical performance software to make this happen.









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FRANZ TONIGHT

FRANZ RE-VISION 2009!
Visual content created by JAYGO BLOOM
for the FRANZ FERDINAND Tonight 2009 World Tour.










































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FRANZ VISION REVAMP!

A NEWFUTURENOW exclusive!
JAYGO BLOOM has just finished work on a series of videos to accompany the FRANZ FERDINAND 2009 world tour. The videos have been specially created to be projected over a three projection array, covering an area over 70 feet wide and 20 feet high. Alongside the seriously awesome heavily graded color video montage, Jaygo created a trigger re-active visuals system for Paul Thomson’s drum kit running off ISADORA digital performance software.
PULSE FILMS duo ThirtyTwo also created part of the footage for this tour.

Video to follow, for now enjoy the screen grabs in glorious JAYGOCOLOR













DEATHDISCO DELUXE

Providing visuals for DEATHDISCO. Supporting Jokers of the Scene and Brodinski
Make up Anna MacKenzie. Music by SHADOW DANCER






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SOFT TOY LAUNCH



SOFT TOY EMERGENCY has its debut single 'I KNO U WANT IT' officially released today.
NEWFUTURENOW were in charge of all artistic direction and creation of the promo video.
Video to be launched on MTV and within the UK clothes store TOPSHOP very soon.





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FRANZ IN HEAVEN

JAYGO BLOOM performed an exclusive live Visual set for FRANZ FERDINAND
at the NME Awards in legendary London Night Club HEAVEN.
Grab their new album NOW!






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DEATHDISCO X VOGUE X

Providing visuals for DEATHDISCO XXX Christmas Party 2008.
Supporting The Glimmer Twins and Rex the Dog
Make up Anna MacKenzie. Music by Vicarious Bliss






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SOFT TOY EMERGENCY




Promo Video for I KNO U WANT IT, debut single by electro pop band SOFT TOY EMERGENCY
Directed and Produced by NEWFUTURENOW



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AKA TOMFOOLERY



Issue TWO: Play and Pleasure

Sexiness, colour, entertainment, rhythm, ritual, fetish, surface, flirtation, jokes, fun and games.

This is Sick! A NEW DVD commissioned by artist run Edinburgh based press FOOLSINPRINT
Order a copy now! Order direct from FOOLSINPRINT or with NEWFUTURENOW and be quick
as there is a minimum run of 500 and then go check out the JAYGO BLOOM inclusion!
Artists Include:

Beagles and Ramsay
Aline Bouvy and John Gillis
Jaygo Bloom
Luke Collins
Lucy Keany
Shelly Nadashi
Christian Newby
Ewan Sinclair

Thanks to Fancy Pants Lucy Keany,
curator of this project and FOOLSINPRINT number one, for this opportunity.

Cant wait to get a copy?
well check the online 8bit J-GO DVD included wonder here for FREE!!



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DISSIDENT RECORDS




Providing visuals for Londons legendary DISSIDENT RECORDS
DEATHDISCO is six!! and NEW FUTURE NOW alongside POINTLESS CREATIONS have been
working hard at making this a one off AV experience since the beginning.
Check out the new video mix and then check out the commotion
every third saturday of each month....




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CHE CAMILLE




Les Grande Opening of
CHE CAMILLE and an exciting collaboration between NEWFUTURENOW
and CHE & CO.
JAYGO BLOOM has taken up residency within the Che Camilles Showroom and will be creating fashion inspired content alongside Glasgow’s hottest fashion designers throughout 2009.
Next saturday marks the opening of this quality space, designed by NFN collaborate Steff Norwood, showcasing new works, high fashion, denims by Rab and a video installation inspired by still life and portrait painting, created by JAYGO


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DEATHDISCO DE FREQ MIX


DEATHDISCO DE FREQ MIX from NEWFUTURENOW on Vimeo.

Come check out the commotion every third saturday of each month....
DEATHDISCO! Cut-up ultrapop, quality electromash and bastardised bootlegs
for non-conformist up-for-it revellers.




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WWHACK AT THE CCA!


JAYGO BLOOM performing live and acting as WHACK KARAOKE compere for the CCA New Media Scotland closing party.
Presenting I-AM FIST, ABLAB, VITASCOPE AND POINTLESS DAV.









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THE 7INCH VIDEO ZONE

Enter THE 7INCH VIDEOZONE!!
Yet another NEWFUTURENOW all inclusive!
Presented and performed by JAYGO BLOOM live at the RAINBOW for the
5TH birthday bash of 7INCH CINEMA
to view ENTER THE ZONE

FRANZ TV

The Online documentation for FRANZ TV is now available
A NEWFUTURENOW production created especially to accompany Glasgow Art Rockers FRANZ FERDINAND
and premiered last month during The Franz Ferdinands secret gig at The Macbeth Social Club. Hoxton Square, East London.
CLICK HERE to view NOW!!

FRANZ TV

FRANZ TV
A NEWFUTURENOW production created especially for Glasgow Rockers FRANZ FERDINAND
and premiered to some 150 lucky people that managed to cram into a tiny London venue on one of its stickiest of days, some of whom had travelled from Germany and France to witness their long awaited return.
Alongside the Franz's new sounds an equally storming performance by Nicolas Ker and his band PONI HOAX

XXXMAS


XXMAS DEATHDISCO!!!!
The end of year xxxmas party with visuals as always provided by NEWFUTURENOW
and Introducing new star to the screen 'LADY MUNSTER' Death Disco's very own shaking, tranny christmas tree!
We actually stumbled across him late last month harranging the boys at Death Discos 5th Birthday bash and really had to do everything in our powers to get him in to the NEWFUTURENOW studios and in front of our greenscreen.




















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DEATH DISCO



'...DEATHDISCO! Cut-up ultrapop, quality electromash and bastardised bootlegs for non-conformist up-for-it revellers. An intimate mixed up orgy of trans-euro excess!'

Monthly visuals provided by NEWFUTURENOW
and this month I got something extra special as its their fifth birthday!!





















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O:.O:.O:.



Check it out HERE!!.
The latest AV installment from those funloving NEWFUTURENOW creatives.



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O:.O:.O:.

!!WORLD EXCLUSIVE!! - The latest hot topic buzzing around the NEWFUTURENOW industries is over the recent collaboration with the DANCEHOUSE. Glasgow. After a successful series of workshops hosted by the TRAMWAY art venue and overseen by Movement specialist and Choreographer BRIAN HARTLEY . NEWFUTURENOW has successfully completed the rough cut of a brand new video artwork entitled O:.O:.O:.




We managed to catch a few minutes with JAYGO BLOOM The Project Director and Co-Ordinator

Can you tell us a little about the project Jaygo?

O:.O:.O:. reexamines the theosophical beliefs behind early modernist art in relation to dance, film and sculpture, I am interested in how the body becomes a symbol for the illusory 'artistic' reality between geometric and organic planes within the art object.



Can you explain the modernist like structure that you have imposed upon the performers?

O:.O:.O:. Has developed out of a series of choreographed scenes based around a very strict metronomic time signature and an Alexander Calder composition. For this project I have been interested in adopting a similar approach in direction as that of early modernist painting, one which is restricted by palette, by time and with formula.


What does O:.O:.O:. stand for?

O:. O:. O:. is video invocation, it involves the use of prime denominators and is expressed through a combination of technique and procedure. It manifests itself as 3 dancers, 3 art objects and 3 locations - A black rehearsal space, A white gallery space and a greenscreen video production room. The title O:.O:.O:. makes reference to the pace, the content and the connection between Art , Magick and Science that early modrnist artists often seeked solace.















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TROCABRAHMA

An exclusive NEWFUTURENOW audiovisual midi marraka perfromance - Live onstage and In collaboration with TROCABRAHMA. Supporting the moustachioed, brazilian superstar and post punk protester - TONI DA GATTORA

Wielding the circuit bent mayhem, a trademark of Toni's international act was nonsense maker Gruff Rhys of the SUPER FURRY ANIMALS and Nik McCarthy of FRANZ FERDINAND fame.






TROCABRAHMA - Is a cultural exchange and series of UK events showcasing Brazilian and British creative talent - August 2007



Check out the VJ edit from NEWFUTURENOW





And check out the Toni Da Gattora experience! ROCK BAHIAAAAA!!





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AV SICKMIX

A new VJ set created to perform alongside the latest dirge of Glasgow Art Rock bands - Bigface, The Invisibles and Jazz Ham performed last weekend at the final year degree show party for Glasgow School of Art.
A visual re-edit, include montage and scenes by filmmakers - Jean-PierreBouyxou, ColinBarton, and DavidRimmer. reconfigured for Digital playback, extracted from source and incorporated into a new series of flat, percussive CMYK graphics.






B-SIDES OKLAHOMA

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INTRUSIVE ENTERTAINMENTS

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SONICPLAY

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MY ROBOT FRIEND

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THE PHANTOM BAND

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BLAST DIGITAL

A recent meeting with the BBC Digital Blast co-ordinator for Scotland, Kirstie Lamont, has given rise to a really exciting opportunity to get involved with a nationwide educational / digital event.
Digital Blast is a creative forum that aims to inspire and motivate young people to develop their creative talents and showcase their work on a range of digital platforms.
Digital Blast is looking into creating a series of activities From August onwards targeting young people within Scotland and geared around new digital media and the performing arts. I have proposed to come on board and asisst with the digital performance via new Digital media tool Isadora.
The project sounds really exciting and will travel the country within the The Blast Truck, providing workshops, taster sessions, surgeries, showcase opportunities and large scale events that celebrate young people’s creativity. The truck will be equipped with state of the art technology and will profile work created by young people across BBC platforms including live web-casts on Blast local and national websites, links with BBC local radio and regional TV, BBC Big Screens, downloads to mobiles and bluetooth technology and national showcases on Blast on BBC2.
Their target is to be on the road for 15 weeks in 2006 (working with 20,000 13 – 19 year olds) and 30 weeks each following year (50,000 young people per year). Approx 150 young people a day will actively participate in truck activities on board.

TAO JOYSTICK

Recontres Internationales want my new work TAO JOYSTICK
for inclusion into their 2006 schedule.
heres a few pictures before the new website goes online...


And part of the statement that goes along with the project -

Tao Joystick is an interactive audiovisual games enhancement. It works in unison with any games console and translates audible gameplay expressions into random sound and video composition with realtime manipulation.

Each system consists of a gaming environment / installation including two monitors, a laptop running the required software and a games console.

Tao Joystick references the playing of original 80’s arcade games and consoles -
< ATARI > < SPECTRUM > < COMMODORE 64 >
< BREAK-OUT > < PONG > < DIG DUG > etc.

The constraints of such games with their limited controls and set specific values are replaced with alternative values of < speed > < loop setting > etc.
At present this is created via < JITTER > programming.

Within the constructed games environment. The playing of Tao Joystick re-defines the archived video footage that is presented on its double screen monitor. Video has been extracted from many sources including – Inuit Song, Butoh Dance, Bangrha and Tibetan chant.
Content is chosen according to the practice of Tao Joystick as a vehicle to re-present and preserve the musical, oral and dance culture of marginalised traditions, within a new technologically mediated context.

As practitioners seek to embed new technologies within the environment and create ever increasingly, more sophisticated < ubiquitous > and transparent interfaces for us to explore. Interactivity and usability can become secondary to the mediated experience and any aspect of intended game playing is difficult to understand.
Tao Joystick seeks to reverse this need for < ubiquity > and looks first and foremost towards < playability > and
< what makes a game addictive? >.
The technology that presents Tao Joystick is central to its physical makeup. The controller and console is very evidently a games controller and games console, yet the intended outcome, mediated by these self same new technologies, create an altogether unique and memorable audiovisual experience.

BUMP...

I have just been successful with a proposal towards
a futuresonic festival commision, hosted by Lancaster
arts base - FOLLY.
FUTURESONIC is an annual festival of sound, and AV installation,
held in Manchester. UK. Its very high profile, and I am really
excited at being given the commision to create a new piece of work for it.

My project is called BUMP..
and basically its an online project that translates the press of a
key into an actual realtime event.

exerpts from my proposal-

< BUMP... >

A sound
A text byte
An expression used within online discussions
A precursor
An interruption

Bump...

This adjective is appropriated from the endless realms of online forums where a user awaits a reply to his message.

Bump...

Situated within public walk spaces and areas of intersection between the many futuresonic festival events and interacted with on one of the many touch screen interfaces. < bump.. > will make it possible for participants to send a variety of sonic booms in real-time to one of the chosen hotspots.

Hotspots will be monitored by the use of live video stream via webcam and presented upon the Touchscreen interface.

TOUCHSCREEN INTERFACE
The interaction and execution of a sound-byte via an online flash based games module.

< bump… > involves a button-press online creating an actual real-time event within any specified location.
This is made possible via networked sockets and a flash signal being sent to a particular IP address port. max/msp receives this signal and changes it into
Any possible real-time event, i.e. sound.

IN CONTEXT

As computer technology becomes increasingly mature, the technology itself will fade into the background of human activities, becoming far less intrusive than is the case today.

Will reinstate the presence of this technological intervention over it's environment via the quick shot, rapid-fire, 8bit sounds emanating out of its location based < FOLLY > sound modules.

MONTEVIDEO

Montevideo is a new media organisation situated in the Netherlands.
They have a residency program 'AIR' for artists.
This year one of the main guidlines is that the project should
utilise and be created out of Open Source Software (OSS).
This type of technology makes alot of sense. Most software has an OSS alternative,
at the moment the key problem is awareness and profile.
Within our society many people are too used to spending vast amounts of money,
certain companies and even creative individuals still suspect anything that is good can be for free!
OSS software developers are now making efforts to educate community projects
and schools, where access to this would make real sense.

For the AIR program, I have proposed my 'TAO JOYSTICK' project and reworked it to fit into the guidlines,
with a new title - 'FREE CREDIT' I will work on this project within the OPENLAB sessions at Glasgow school of Art.
A regular meeting place for artists and programmers interested in the uses of such software.
I have also proposed to use the residency as an opportunity to
rework and remix selected videoworks from the Montevideo archive library, via the FREE CREDIT
games console, this will form part performance and part interactive installation.

PETIT KRAK!

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NETWORKED PERFORMANCE

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